![]() In this system, I would say that Ab major triad outlines the relative lydian to C minor, because in our key signature of 3 flats (we've already established that the relative major of C minor is Eb major, or 3 flats), the mode that starts on Ab is the lydian mode. Aeolian and minor as terms here are interchangeable, since their key signatures are identical. Now, the "creative" part is that I'm going to extend our terminology to make use of the diatonic "church modes" (lydian, ionian, mixolydian, dorian, aeolian, etc.), so that we can talk about any keys relative to one another that share the same key signature. ![]() This is convenient, because the relative major of C minor is Eb major, or 3 flats. We need the notes Ab, C, Eb, and G, which means the fewest number of flats we can use is going to be 3 (see also: Order of flats). Let's consider that both chords come out of the same heptachord (set of 7 notes, a.k.a. However, if we get a little creative we can come up with a logical answer: Now, if we compare Ab major to C minor, we can't get too far off the ground since Ab is a major third away from C, not a minor third. Another common example is the 0b/0# natural key signature and the relationship between C major and A minor. So, when we compare C minor and Eb major, the key signature is 3 flats and C and Eb are a minor third apart, so we say C minor is the relative minor of Eb major, or vice versa, that Eb major is the relative major of C minor. "Relative major" and "relative minor" are terms typically used to describe keys with identical key signatures and root notes a minor third apart. I will answer from both perspectives: Key Signatures Your question is mostly about chords, but the term "relative minor" is about key signatures.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |